Forty-nine days after George’s death his wife, Alicia, calls friends who wanted to read over the letter that he left before he died. It is a very affectionate and moving letter, which addresses each of those present, knowing that his death is near. Little do they know that they are part of a ritual prepared by Alicia, with the connivance of Santiago, the closest friend of George, to bring him back to life – and that ritual, full of ghostly apparitions, traumatic and terrifying, will be gaining further life from each of the guests. The surprising twists in the plot will lead up to the most unexpected of endings.
Although Alexia, Franco’s ex-girlfriend, has been deceased for some time, Franco still has her as a contact on his social network. When he decides to delete her and move on, something strange starts to manifest through his computer.
Buenos Aires in the 1980s. Detective Chavez, a family man and a tough cop, once again must solve a mysterious crime. To reveal the identity of the murderer, Chavez must clarify the enigma waiting in ambush to capture his own heart. Passion surprises even the most astute detective. What will triumph: law or desire?
El Tenso does not know how to face his ill-tempered wife, Tana, to tell her that he wants to separate. Carlos, a friend of Tenso, suggests him to invert the situation and cause Tana to leave him by hiring Cuervo Flores, an irresistible seducer, to try and charm his wife until she falls in love with him.
Limbo centers around a secluded colony of child-vampires between the ages of 4 and 120, who were all the victims of shameless adult vampires. They are led by a formidable and deeply religious ex-nurse whose destiny in life is to find these ‘lost souls,’ and raise them in her colony. Through religious teachings and rituals adapted from Catholicism, and the occasional visit to local towns for blood, she prepares the children for what God had in mind for them… creation of a new race of men through ‘natural cloning,’ (which amounts to being bitten by her children). However, they are neither the only colony of their kind, nor are they as secluded from the outside world as they think
Six twenty-something friends are spending New Year’s Eve at a summer house at the river. The host, Nicolas (writer and director Martin Piroyansky, XXY), brings his ex-girlfriend Pilar (Inés Efron, Empty Nest, XXY) with whom he just had a one-night stand. But, Nicolas hits on every other girl including the brooding Cata (Vera Spinetta) and the voluptuous Belén (Justina Bustos). When Nicolas unexpectedly falls into bed and then into love with the high-strung Manuela (Violeta Urtizberea) who also happens to be his best friend’s girlfriend, the last laugh is on him.
When El Mono dies, his three longtime friends try to recover from the loss and want to secure his little girl’s future. But for Fernando, Mauricio and El Ruso this will not be easy. They decide to recover a big investment El Mono had made when he had bought a soccer player who was supposed to become a star.
Fernando is on holiday with his closest male friends in a beautiful country house in a suburb of Buenos Aries. On their own without their girlfriends in a “men only” environment, the hunky young studs bask in the hot sun, play in the pool, smoke pot, and drink, most often semi-clad or naked. In this freewheeling and testosterone-infused environment, they talk of their desires and strengthen their individual bonds.
The true story of four men who narrowly escaped death at the hands of Argentina’s military death squads during the 1970s is brought to the screen in this thriller. In 1977, Claudio Tamburrini (Rodrigo de la Serna) was a goalie for a minor-league football team when he was abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he was a terrorist. Over 30,000 people lost their lives at the hands of Argentinean authorities under the military junta that ruled the country between 1976 and 1983, and as he was tortured by intelligence agents looking for information he didn’t have, Tamburrini fully expected to become another victim. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo (Nazareno Casero) and Tano (Martin Urruty) were being readied for execution when, in a final desperate act, Tamburrini dove out a window during a rainstorm.
Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother’s murderer who also kidnaps people for money. Cetarti’s path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte’s dark dealings, leading to an absurd and unexpected outcome.
Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare’s “A Midsummer Night’s Dream.” Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.
At a Latin American Presidents’ Summit in Chile where the region’s alliances and geopolitical strategies are shaped, Hernán Blanco, the president of Argentina, lives a political and family drama. Through his son in law, he’s implicated in a corruption case. On her father’s call, Marina Blanco, attends the Summit to find protection, to earn time and to negotiate a way out. Once the thriller starts to build up, the film drifts towards a different direction: a search in their mutual past, as if in the past, a key to understand the significance of the exercise of power could be found. The history of a father versus that of his daughter. That past once calm and domestic, becomes a menacing element, almost fantastic, seen from the top of public life, seen from the Summit.
A sexy, romantic and uncomfortably chilling tale of love and deception from first time director Marcelo Briem Stamm. Handsome middle class Manuel (Patrico Ramos), hurt by his previous relationship and bored being alone, meets Julio (Mario Veron), a rugged, lonely, unemployed young man in a chat room. The two eventually meet up in person and the sexual spark is quickly ignited. And while sex is satisfying and frequent, it is their collective problems with intimacy, trust and the fear of being hurt that make them hesitant to commit fully. As their relationship develops, both reveal secrets from their past but these revelations might be real, imagined or outright lies. Who is being truthful, who is real, and who truly loves the other? All is revealed in this romantic, passionate drama/thriller that offers a shocking, strangely satisfying conclusion.
Tomás Kóblic, a former pilot and captain of the Argentinian Navy, disobeys an order and becomes a fugitive in order to survive. He chooses to hide in a small town in the south of the country, where his presence will catch the attention of the unscrupulous and violent local marshal.
Sebastian (Hendler) meets Natalia (Bertuccelli) when trying to steal an important piece of art from a museum, and she wins the hand. Rivals declared, the two have to work together later in a robbery more complex: a valuable and unique bottle of Malbec from Bordeaux in the mid-nineteenth century, listed as one of the best wines in the world and jealously guarded in the vault of a bank, in Mendoza. In a world full of glamor, between vineyards and mountains, the thieves will have to display their magic, but while preparing discover theft, each to his own, that nothing will be as thought
Two men kidnap the daughter of businesswoman Claudia Villegas. They take her out of the city and keep her locked up, while awaiting further instructions. The boss realizes that Villegas’ daughter was never kidnapped and sends two men to the abandoned factory to clarify what happened. Upon arrival, they find the girl, hooded, and tied to a chair. There’s no clue of the kidnappers either. Slowly, someone appears – they say that the heart can not feel once it’s stopped beating
Virginia will do the impossible in order to rescue her little daughter who has been abducted. After a terrible accident, she has the chance to live one day more to save her. On her path, she will find out that there are worst thing than death.
The story of Daemonium begins in an alternate universe to ours, in which magic and technology coexist with humans and demons. A powerful family hires a band of mercenaries and forces Fulcanelli, a wizard and con artist, to invoke a demon with the purpose of gaining even more power. Of course, things go terribly wrong. The wizard escapes and the demon slaughters the mercenaries, with the exception of Razor. He’s the one who seals the deal to become lord of the criminal underworld. The family kidnaps Lisa, his pregnant wife, and turns her into a merciless killing machine and the spear point of their offensive against Razor. But she’s not the only threat to the crime lord. It’s only a question of time before the demon returns to claim Razor’s soul. Fulcanelli seems to be the key to stopping the demon and Razor sends out his band of sexy killer robots to find him.
After refusing big and prestigious awards all over the world, Mr. Mantovani, Literature Nobel Prize winner, accepts an invitation to visit his hometown in Argentina, which has been the inspiration for all of his books. It turns out that accepting this invitation is the worse idea of his life. Expect the unexpected when you have used real people as characters in your novels!
The strangest thing about this story is that it’s true. In 1952, Argentina’s beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near “Evita.” Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife’s body. The military junta now in control kidnapped the corpse; so afraid were they of Eva’s symbolic power that they even made it illegal to utter her name. Thus began the two-decade journey of Eva’s body throughout Europe and eventually back to Argentina.