It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
Tamasha is about the journey of someone who has lost his edge in trying to behave according to socially acceptable conventions of the society. The film is based on the central theme of abrasion and loss of self that happens in an attempt to fit in oneself back.
Orphaned and homeless Ranbir Raj re-locates to a small town and orders a glass of milk in the RK Bar. He befriends a prostitute by the name of Gulabji, who invites him to spend the night with her, and when he refuses, she re-directs him to Lillian who rents out rooms. Ranbir meets with Lillian, who has been living alone for 37 years after her son, Vincent, left to join the army and did not return.
Ayan falls in love with his soulmate, Alizeh, but she doesn’t reciprocate the feeling. Later, a relationship with Saba helps him realize Alizeh’s value in his life, irrespective of their relationship status.